4K 10 bit RAW
The C500 offers 4K 10-bit RAW, 2K RGB (4:4:4, 10 / 12 bit) or Full HD RGB data output to a compatible third party external device at frame rates of up to 60P. Two further SDI outputs can connect to an external monitor. Simultaneously record Full HD MXF files to CF cards for use as proxies in desktop editing.
Shooting with Canon Log delivers neutral image quality with wide dynamic range – 12-stops of latitude at a base setting of ISO 850 – for maximum freedom in post-production.
Slow and Fast Motion
During internal CF recording mode, the EOS C500 provides a Slow and Fast Motion Mode that can be used to record at a different frame rate than the playback frame rate, thereby resulting in either a fast or slow motion effect. Because the EOS C500 is recording real frames, and simply modifying the data playback rate, there is no overall quality loss due to interpolation; maximum image quality is maintained. In HD 1080 mode, fast motion is supported at up to 30-times normal rate and as slow as 1/1.25sec.; in HD 720 mode, fast motion is supported up to 60-times the normal rate, and as slow as 1/2.5 seconds. In 4K / 2K output modes the camera provides variable frame rate control that can be output to external recorders. (Read more..)
Digital cinema standard 4096 x 2160 (4k) movies are recorded to a CF cards at 24fps (23.976fps) in M-JPEG (8bit 4.2.2) format, producing outstanding movie image quality suitable for the cinema industry.
18.1 MP Full Frame CMOS sensor
A Canon 18.1 MP Full Frame CMOS sensor delivers stunning performance, producing exceptional low noise, high-resolution images of photo agency quality, even in the darkest conditions. It also gives optimum results from wide-angle lenses and greater control over depth of field.
Advanced video functions
Advanced video functions include Full HD (1080p) capture at variable frame rates up to 50 or 60fps – ideal for fast moving action or slow motion – plus custom control of exposure, audio and compression and Super 35mm crop option. Built-in Canon Log Gamma delivers neutral image quality with wide dynamic range (800%) for maximum freedom in post-production. An uncompressed HDMI output allows recording of 1920 x 1080 footage at 8 bits 4.2.2 to external recorders to suit different workflows. A headphone socket is included to monitor the manually adjustable audio levels. (Read more..)
8.3MP Super 35mm CMOS sensor; Full HD
An 8.3MP Super 35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, provides 3ch RGB processing for Full HD recording. It delivers superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and beautifully shallow depth of field.
Canon Log Gamma
Built-in Canon Log Gamma gives neutral image quality with 12-stops of latitude (800% dynamic range) at a base setting of ISO 850. A Wide Dynamic Range option delivers footage with the same wide latitude but does not require grading.
To facilitate one-person operation, automated functions include One-Shot Auto Focus, Push Auto Iris and Auto White Balance. Full manual control is available when required with a powerful Focus Assist function to aid manual focusing and ensure sharp detailed images. (Read more..)
The new and improved EOS C100 Mark II offers fast the ability for fast turnaround time to match existing workflows in a compact configuration. Loaded with powerful features and enhanced ergonomics, the EOS C100 Mark II is ideal for solo operations such as run-and-gun style shoot coverage as well as operation on cranes, sliders and unmanned drones. Designed to be used right-out-of-the-box, many would find the learning curve of the EOS C100 Mark II, a gradual and pleasant one.
Dual Pixel CMOS AF Technology
The CMOS sensor in the EOS C100 Mark II utilize two separate photodiodes for each pixel in order to achieve high-speed readout.
With full rein given to these characteristics, the sensor is capable of detecting two image signals from each pixel. By initiating phase-difference AF, focusing is executed at a higher speed than contrast AF using all the EF lenses.
AVCHD/MP4 and 59.94p/50p supported
Users can choose from multiple formats that support AVCHD or MP4 to suit the applications at hand. Images are recorded at the maximum bit rate of 28 Mbps or 35 Mbps in each case.
NTSC/PAL switchable, and 59.94P/50P frame rates supported, and each and every individual frame of moving subjects is recorded beautifully. (Read more..)
Convergent Design Titan
Many cameras can shoot in 4K today, but most clients still want HD. How can a 4K camera become an enhanced HD device? Introducing Titan.
Titan is the latest option for the Odyssey & Apollo monitor/recorders. Titan uses one 4K camera to create three HD video signals. One frame is a SuperSample of the full image area and two are windows selected from within the original input. These windows can be panned smoothly through the 4K field and the three angles can be Live-Switched. All four HD signals can be recorded simultaneously in Apple ProRes with matching timecode and file names.
• Shoot a two-subject interview using one camera and Titan and record a Live-Switch of a two-shot plus separate close-ups.
• Record a panel presentation with a wide master plus a single on the moderator and another of the panel, all from one camera.
• Cover a House of Worship service with a shot of the clergyman, another of the chorus, and a wide view of them all – done with the modest investment of one camera and Titan.
• With Titan and a single installed camera capture an entire football field from the 50 yard line, plus follow a player as he runs the course of the field.
Eliminate the render time of reframing in post. Deliver edited content as well as the complete separate angles to your client at the end of the shoot. Shoot a multi-cam job with a kit you can fit in a single backpack.
Titan accepts 4K video signals over HDMI and SDI (original Odyssey7Q limited to 3G-SDI). Titan also accepts 4K RAW data from the Sony FS5, FS7 & FS700 cameras. Live-Switching is available as cuts and dissolves, and an Edit Decision List is generated as an .EDL file for conforming an edit in post. (Read More..)
The Cinematic VariCam Look in Your Hands
The VariCam LT features outstanding image quality that allows you to achieve your “VISION”. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a “REVOLUTION” in streamlining workflow
Compact Size, Light Weight and Top Cinema Quality – The VariCam LT!
The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive color gamut, and high sensitivity for 4K image acquisition. It has dual native ISO settings of 800 and 5000. The native 5000 ISO allows for clean shooting in very low light situations. Its size and design facilitate a wide array of shooting styles including comfortable ergonomic shoulder mounted operation or use on gimbals and drones.
The Cinematic VariCam Look, Stunning Image Quality Same Imager as VariCam 35
The VariCam LT is equipped with the super 35mm single-chip MOS sensor developed especially for the VariCam 35. It offers 4K (4096 x 2160) and UHD (3840 x 2160) resolution, and boasts high sensitivity, low noise, wide dynamic range and cinematic depth of field. This sensor received The Hollywood Post Alliance Engineering Excellence Award 2015.
14+ Stops of Wide Latitude
The camera has a dynamic range of 14+ stops. This wide dynamic range assures accurate image rendering over the entire image, from dark areas to highlights. Even in very dimly lit scenes, which are particularly important in movie production, the VariCam LT provides low-noise images without any compromise in picture quality. “V-Log” is capable of creating the 14+ stops of dynamic range offered by the VariCam LT image sensor, greatly enhancing look creation capability.
Dual Native ISO of 800/5000
The VariCam LT has two native ISO settings: 800 and 5000. This means the VariCam LT achieves very high sensitivity while maintaining a low noise level at 5000 ISO. The noise level at 5000 ISO is nearly identical to that seen at 800 ISO. In order to achieve this function two dedicated analog circuits are implemented on every pixel of the imager of the the VariCam LT for each native ISO before gain processing. This allows the camera to achieve much higher sensitivity without increased noise. Normally noise is introduced in the gain process of rating ISO in digital cameras. This functionality is revolutionary for low light scene shooting. Especially this ISO 5000 enable to capture under the natural light keeping the mood making more realistic. (Read More..)
GoPro Karma More than a drone. Capture amazingly smooth footage in the air, handheld or mounted to your favorite gear.
Karma goes with you. It folds into its own lightweight, compact case that’s comfortable to wear during any activity.
Easy to Fly
Never flown a drone before? New pilots will fly with confidence while seasoned pros will enjoy Karma’s performance.
Take your friends for a ride.
The GoPro Passenger™ App lets friends view your flight and control your GoPro while you fly.
Compact, ultra portable design.
Karma folds into its own lightweight, compact case that’s comfortable to wear during any activity. Pack it, take it, and when you’re ready to fly, unfold, attach the propellers and go.
Made to keep you flying.
Each replacement arm comes with the tools you need to do the job yourself. With optional GoPro Care coverage, you’ll even get them free of charge.
Ultra Smooth Aerial Footage
Capture breathtaking shake-free footage from the air. Karma’s removable stabilizer delivers the smooth look of a professional production.
Flying safe is good karma.
Built-in No-Fly Zones keep you from flying into restricted areas. If you need to bring Karma back, simply hit the Land button and the drone will automatically return to you. (Read More..)